1
00:00:02,919 --> 00:00:03,628
♪♪

2
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[ Voice over ] HEY, I'M SADIE.

3
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MY LIFE IS FILLED WITH
ALL KINDS OF WEIRD CREATURES

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FROM BEST FRIENDS
TO IMPULSIVE BROTHERS.

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SOMEHOW WE
ALL FIT TOGETHER,

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NATURALLY.

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♪ IF I COULD CHOOSE
A WORLD FOR ME ♪

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♪ IT'D BE OPEN,
BIG AND FREE ♪

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♪ I'D PICK A PLACE
NOT LIKE THE REST ♪

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♪ NOT LIKE THE REST ♪

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♪ IT'D BE BEST ♪
♪ MY WORLD ♪

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♪ MY SPACE, MY FRIENDS ♪

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♪ I RUN TO YOU WHEN
NO ONE'S THERE ♪

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♪ NO ONE'S THERE ♪
♪ AND OTHERS STARE ♪

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♪ AND THERE WE'LL BE ♪

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♪ NATURALLY ♪

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Female voice: [ Narrating ] SADIE HAWTHORNE

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LOVES HANGING
WITH FRIENDS,

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IS GOOD AT SCHOOL,

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A LITTLE AWKWARD
ON HER FEET,

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AND LOVES ANIMALS OF
ALL SHAPES AND SIZES.

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BUT NOW SHE WANTS
TO WIN A SPOT

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ON HER HIGH SCHOOL'S
HIP-HOP TEAM.

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CAN SADIE GO FROM
NATURALIST TO DANCER
IN FIVE DAYS?

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OR WILL SHE BE THE ONE

26
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ON THE ENDANGERED
SPECIES LIST?

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FIND OUT NOW ON AN
ALL-NEW EPISODE OF...

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Sadie: [ Voice over ]
HI, MY NAME IS
SADIE HAWTHORNE.

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NORMALLY, I NARRATE
THINGS IN MY HEAD,

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BUT... BUT THIS WEEK,
I'LL BE NARRATING MY
EPISODE OF "CHANGED".

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THIS IS MY MOM, JEAN.

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IF SHE'S NOT IN THE
KITCHEN WHIPPING UP DINNER,

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THEN SHE'S AT HER COMPUTER
WHIPPING UP ANOTHER BOOK.

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[ ♪♪♪ ]

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THE PERPLEXED-LOOKING
GUY IS MY DAD, WALTER.

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HE'S AN ENGINEER.

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ALTHOUGH, SOME DAYS,

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YOU MAY FIND THAT
HARD TO BELIEVE.

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[ ♪♪♪ ]

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WE ALL LIVE IN
THE TOWN OF WHITBY,

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INCORPORATED IN 1855.

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POPULATION 110,400.5.

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IT'S THE HOME OF OLYMPIC
MEDALLISTS AND NHL PLAYERS

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ADAM FOOTE AND
JOE NIEUWENDYK.

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AND THE WORLD'S
LARGEST WHISK.

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ONE DAY WE HOPE TO MAKE THE
WORLD'S LARGEST OMELETTE.

47
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REMEMBER HOW I TOLD
YOU THE POPULATION OF
WHITBY WAS 110,400.5?

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I'M PRETTY SURE
MY BROTHER, HAL...

49
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IS THE POINT-FIVE.

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OW! AWESOME!

51
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ROCK 'N' ROLL
TV IS HERE!

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IT'S ABOUT TIME I GOT MY
BEHIND-THE-SCENES SPECIAL.

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SORRY, HAL, BUT
TO GET A BEHIND-
THE-SCENES SPECIAL,

54
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YOU ACTUALLY
HAVE TO HAVE
DONE SOMETHING

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IN FRONT OF
THE SCENES.

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THEY'RE HERE
BECAUSE OF ME.

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AW, PLEASE
DON'T TELL ME

58
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THEY'RE DOING
SOME BORING SHOW

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ON YOU AND SOME
BORING ANIMAL.

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NO... THEY'RE
FROM "CHANGED".

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AND I HAVE ONE
WEEK TO BE CHANGED
FROM A NATURALIST

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TO A DANCER ON
BENNETT HIGH'S
HIP-HOP TEAM.

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DO WE THINK OUR SADIE CAN
MAKE THE HIP-HOP TEAM?

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[ Strained laughter ]

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YOU BET.

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DANCING IS IN
THE HAWTHORNE BLOOD.

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IT IS.

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IN... IN 1979,
JEAN AND I

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WERE WHITBY'S DISCO
DANCING CHAMPS.

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[ Disco ♪♪♪ ]

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MY LITTLE GIRL'S
GROWING UP.

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DO I THINK SADIE WILL
MAKE THE HIP-HOP TEAM?

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[ Laughter ]

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SADIE!
[ Chiming
of doorbell ]

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Sadie: [ Voice over ]
REMEMBER WHAT I
SAID: POINT-FIVE.

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PUT A SOCK
IN IT, DOOFUS.

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[ Laughter ]

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Hal:
[ Distant laughter ]

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Sadie: [ Voice over ]
THAT'S RAIN AND MARGARET.

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THEY'RE MY BEST FRIENDS.

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I'VE KNOWN THEM SINCE
THEY WERE THIS OLD...

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WE ALL GO TO
R.B. BENNETT HIGH.

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OKAY, SADIE,
SPILL IT.

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WHAT'S WITH
THE CAMERA CREW?

85
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I KNOW, THEY'RE DOING
A STORY ON YOUNG
FASHION DESIGNERS

86
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AND RIGHT NOW
THEY'RE INTERVIEWING

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THE DESIGNER'S
FASHION-CHALLENGED
FRIEND.

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WRONG AND...

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HURTFUL.

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WAIT, IS THIS ABOUT
ME SNEAKING REFILLS
IN THE CAF?

91
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BECAUSE I SWEAR I
NEVER SAW THE SIGN.

92
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OKAY, YOU GUYS, WHY
DON'T YOU JUST LET ME

93
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TELL YOU WHY
THEY'RE HERE.

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REMEMBER WHEN YOU TOLD
ME ABOUT THAT OPENING
ON THE HIP-HOP TEAM?

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WELL...

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I'VE DECIDED TO
TRY OUT FOR IT.

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Sadie: [ Voice over ]
FOR YOU GUYS
WATCHING AT HOME,

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THAT WASN'T
THE REACTION I
WAS HOPING FOR.

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A-AREN'T YOU GOING
TO SAY SOMETHING?

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ANYTHING?

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THAT'S GREAT, SADIE.

102
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JUST THINK, YOU ON
THE HIP-HOP TEAM.

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WHO BETTER TO PUT
THE "HIP" IN HIP-HOP?

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[ ♪♪♪ ]

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DON'T GET ME WRONG,

106
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I'D LOVE TO SEE SADIE
MAKE THE SQUAD

107
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BUT I'VE SEEN
THE GIRL DANCE.

108
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HECK, I'VE GOT FOOTAGE.

109
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AND THIS IS A MOVE
I LIKE TO CALL

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THE WHITBY WIGGLE.

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WOO-OH!

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[ Giggling ]

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I HOPE SADIE
MAKES THE SQUAD.

114
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I DO.

115
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BUT IF SHE DOESN'T,
SHE CAN STILL COME DOWN

116
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FOR SOME AMAZING
COMFORT FOOD

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AT ACROPOLIS WOW.

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[ ♪♪♪ ]

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Sadie: [ Voice over ]
I KNEW THAT IF THE IDEA OF
JOINING THE HIP-HOP TEAM

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HADN'T GONE OVER WELL
WITH MY FRIENDS,

121
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IT WASN'T GOING TO
GO OVER WELL WITH THE
REST OF THE STUDENTS.

122
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ONE STUDENT
IN PARTICULAR:

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BEN HARRISON.

124
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WE USED TO BE BOYFRIEND-
GIRLFRIEND,

125
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NOW WE'RE JUST FRIENDS.

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A-AND WE'RE BOTH
FINE WITH THAT!

127
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Ben:
WHAT'S WITH THE
CAMERA CREW, RED?

128
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BREAKING UP WITH ME
IN FRONT OF YOUR FAMILY
WASN'T GOOD ENOUGH?

129
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YOU NOW WANT
TO GO NATIONAL?

130
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Sadie: [ Voice over ]
OKAY, APPARENTLY, WE'RE
BOTH NOT FINE WITH IT.

131
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NO, I'M TRYING
OUT FOR BENNETT'S
HIP-HOP TEAM.

132
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Sadie: [ Voice over ]
IT'S AT THIS POINT BEN
WILL SAY SOMETHING SMUG.

133
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GOOD LUCK
WITH THAT.

134
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Sadie: [ Voice over ]
DON'T WORRY, IT'S COMING.

135
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I'M CURIOUS,
WAS HIP-HOP YOUR
FIRST CHOICE

136
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OR DID SOMEONE ALREADY
TAKE "WATCHING ICE MELT"?

137
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Sadie: [ Voice over ]
AND THERE IT IS.

138
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WHAT'S THAT
SUPPOSED TO MEAN?

139
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I DON'T KNOW,
HIP-HOP DANCING?

140
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WHAT'S THE POINT?

141
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W-WHAT'S THE POINT
OF ANYTHING, BEN?

142
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WHAT'S THE POINT
OF PHOTOGRAPHY?

143
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TO CAPTURE MOMENTS IN LIFE

144
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SO WE HAVE A
RECORDED HISTORY FOR
FUTURE GENERATIONS.

145
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I MEANT BESIDES THAT.

146
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Sadie: [ Voice over ]
MAYBE THAT'S PART
OF WHY WE BROKE UP.

147
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BEN IS GREAT BUT HE
CAN BE A BIT SERIOUS.

148
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EVEN THOUGH YOU
COULD BE TRYING
OUT FOR SOMETHING

149
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WITH AN ACTUAL
SIGNIFICANCE,

150
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YOU CAN'T LOSE SIGHT
OF ONE THING, RED.

151
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WHAT THING?

152
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YOU'VE GOT TO BEAT ARDEN.

153
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ARDEN'S TRYING OUT?

154
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LET ME GUESS,
YOU'RE JUST FINDING
OUT ABOUT THIS NOW.

155
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WELL...

156
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I GOTTA GO. CHIMO.

157
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Sadie: [ Voice over ]
ARDEN ALCOTT.

158
00:05:54,228 --> 00:05:57,398
TWO WORDS I DID
NOT NEED TO HEAR.

159
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ARDEN ALCOTT'S THE MOST
POPULAR GIRL AT BENNETT.

160
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HECK, MAYBE
EVEN IN WHITBY.

161
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SHE'S CUTE,
ATHLETIC, SMART

162
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AND ALWAYS GETS
WHAT SHE WANTS.

163
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WELL, ALMOST ALWAYS.

164
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DID HAWTHORNE SAY
SHE WON BENJAMIN?

165
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BECAUSE SHE DIDN'T.

166
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IF I WANTED BEN,
HE'D BE MINE.

167
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ANYWAY, IT DOESN'T
MATTER.

168
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I AM GOING TO WIPE
THE FLOOR WITH HER.

169
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Sadie: [ Voice over ]
SO, FOR THE NEXT DAY,

170
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I WAITED TO MEET MY
"CHANGED" CHALLENGE COACH.

171
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AND WAITED. AND WAITED.

172
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Man: [ Over intercom ]
SA-DIE?

173
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WE NEED SADIE HAWTHORNE IN
THE HOUSE. I-I-IN THE...

174
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EITHER THAT'S MY COACH

175
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OR MS. MANN HAS A SIDE TO
HER NOBODY KNOWS ABOUT.

176
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[ ♪♪♪ ]

177
00:06:45,113 --> 00:06:46,072
Sadie: [ Voice over ]
THERE HE IS.

178
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OH, I HOPE HE'S CUTE.

179
00:06:47,657 --> 00:06:48,825
I HOPE HE'S FAMOUS.

180
00:06:48,908 --> 00:06:50,451
I HOPE I GET TO
SEE HIS CRIB.

181
00:06:50,535 --> 00:06:51,577
I HOPE...

182
00:06:52,245 --> 00:06:54,872
HE'S NOT MY FIRST CRUSH,
OWEN ANTHONY.

183
00:06:57,792 --> 00:07:00,461
Sadie: [ Voice over ]
MEET MY "CHANGED" COACH:

184
00:07:00,545 --> 00:07:01,796
OWEN ANTHONY.

185
00:07:01,879 --> 00:07:03,673
HE'S ONE OF THE BEST
DANCERS IN THE CITY.

186
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IN FACT, THE REASON WHY
THERE'S A SPOT ON THE TEAM

187
00:07:05,967 --> 00:07:08,511
IS BECAUSE HE LEFT WHEN HE
JOINED "GUYZ WILL BE GUYZ".

188
00:07:09,637 --> 00:07:10,555
HEY, SADIE. IT'S...

189
00:07:10,638 --> 00:07:11,514
IT'S BEEN A WHILE.

190
00:07:11,597 --> 00:07:12,932
Sadie: [ Voice over ]
WAS I SURPRISED TO LEARN

191
00:07:13,015 --> 00:07:14,600
OWEN ANTHONY WAS
MY "CHANGED" COACH?

192
00:07:14,642 --> 00:07:17,019
TOTALLY.
IT WAS SO UNFAIR.

193
00:07:17,103 --> 00:07:19,021
NOBODY ELSE'S "CHANGED"
COACH WAS THE BOY

194
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THEY CRUSHED ON FOR
ABOUT A BILLION YEARS...

195
00:07:21,524 --> 00:07:23,484
AND THEN BROKE HIS HEART.

196
00:07:25,653 --> 00:07:27,613
I NEEDED SOMEONE TO
TEACH ME HOW TO DANCE,

197
00:07:27,697 --> 00:07:30,199
NOT TO REMIND ME
I WAS A JERK.

198
00:07:32,535 --> 00:07:34,871
YEAH, IT'S...
IT'S BEEN A WHILE.

199
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SURE, SADIE HURT ME.

200
00:07:37,123 --> 00:07:38,833
BUT THAT WAS LAST YEAR.

201
00:07:38,916 --> 00:07:42,003
I'M... I'M TOTALLY OVER
HER. I'VE MOVED ON.

202
00:07:43,671 --> 00:07:44,714
WHY? DID SHE
SAY ANYTHING?

203
00:07:46,716 --> 00:07:48,885
WELL, YOU CAN'T
DANCE IN THAT. SO...

204
00:07:50,261 --> 00:07:51,679
I GOT SOME
"GUYZ WILL BE GUYZ" STUFF.

205
00:07:51,762 --> 00:07:53,723
PUT THIS ON
AND, UH...

206
00:07:54,807 --> 00:07:55,725
COME BACK HERE.

207
00:07:57,185 --> 00:07:59,604
YOU GUYS COULD HAVE TOLD
ME MY COACH WAS OWEN.

208
00:07:59,687 --> 00:08:01,689
OH, OF COURSE, WHERE WOULD
THE DRAMA BE IN THAT?

209
00:08:01,772 --> 00:08:03,149
OH, YOU THINK THAT
WAS UNCOMFORTABLE?

210
00:08:03,191 --> 00:08:04,984
HUH! JUST WAIT
UNTIL BEN FINDS OUT

211
00:08:05,026 --> 00:08:06,235
THAT OWEN IS
MY "CHANGED" COACH.

212
00:08:07,987 --> 00:08:08,863
WAIT A MINUTE.

213
00:08:08,946 --> 00:08:09,989
WHERE'D THE
OTHER CAMERA GO?

214
00:08:10,072 --> 00:08:11,282
HEY, THANKS FOR
FOLLOWING ME.

215
00:08:11,365 --> 00:08:13,326
TRUST ME, THIS IS SO
GOING TO BE WORTH IT.

216
00:08:13,367 --> 00:08:15,328
HEY, NERD
BURGER...

217
00:08:15,369 --> 00:08:17,914
"NERD BURGER", A
HAL HAWTHORNE ORIGINAL.

218
00:08:17,997 --> 00:08:20,082
PATENTED 2004.

219
00:08:20,166 --> 00:08:21,083
I'VE GOT SOME
GREAT NEWS.

220
00:08:21,167 --> 00:08:23,294
YOU LEARNED TO FLY AND
YOU'RE MIGRATING SOUTH?

221
00:08:23,377 --> 00:08:25,838
NOPE. GUESS WHO'S
SADIE'S "CHANGED" COACH.

222
00:08:25,880 --> 00:08:26,923
CAN'T GUESS?

223
00:08:27,006 --> 00:08:28,341
OWEN ANTHONY.

224
00:08:28,382 --> 00:08:30,551
OR AS I LIKE TO CALL
HIM, THE OLD BEN.

225
00:08:30,635 --> 00:08:33,554
HOW IS THAT
POSSIBLY GOOD NEWS?

226
00:08:33,638 --> 00:08:34,931
WELL, THAT'S...

227
00:08:35,014 --> 00:08:36,265
THAT'S GOOD
NEWS FOR ME.

228
00:08:36,349 --> 00:08:37,517
YOU SHOULD HAVE
"SAWN" YOUR FACE.

229
00:08:37,600 --> 00:08:40,102
[ Chuckling ]
IT WAS GREAT.

230
00:08:40,186 --> 00:08:42,647
DOES IT BUG ME THAT OWEN'S
TEACHING SADIE HIP-HOP?

231
00:08:42,730 --> 00:08:45,650
NO. OWEN'S A COOL GUY.

232
00:08:45,733 --> 00:08:46,275
SADIE AND I BROKE UP.

233
00:08:46,359 --> 00:08:48,069
SHE DUMPED
YOU HARD.

234
00:08:48,152 --> 00:08:49,695
[ Chuckle ]

235
00:08:49,737 --> 00:08:50,821
SADIE AND I
HAVE MOVED ON.

236
00:08:50,905 --> 00:08:52,114
WE'RE JUST FRIENDS, NOW.

237
00:08:53,699 --> 00:08:54,992
WHY? DID SHE
SAY ANYTHING?

238
00:08:55,076 --> 00:08:58,037
♪ THERE'S A RESTAURANT
WHERE YOU SHOULD BE NOW ♪

239
00:08:58,120 --> 00:09:00,957
♪ IT'S A LITTLE PLACE
CALLED ACROPOLIS WOW ♪

240
00:09:01,040 --> 00:09:02,291
CALL RIGHT NOW FOR
RESERVATIONS AT...

241
00:09:02,375 --> 00:09:04,210
[ Long beep ]

242
00:09:04,252 --> 00:09:05,878
YOU KNOW
THEY'RE NEVER
GOING TO LET YOU

243
00:09:05,920 --> 00:09:07,004
SAY THAT NUMBER ON
THE AIR, RIGHT?

244
00:09:07,088 --> 00:09:08,631
IT COULD
SLIP THROUGH.

245
00:09:08,714 --> 00:09:09,882
[ Whispering ]
YEAH, OKAY.

246
00:09:09,924 --> 00:09:12,885
AND ONE, AND TWO,
THREE, FOUR.

247
00:09:12,969 --> 00:09:14,220
FIVE, SIX, AND SEVEN,

248
00:09:14,262 --> 00:09:15,805
EIGHT.

249
00:09:17,098 --> 00:09:18,057
NO? OKAY.

250
00:09:18,140 --> 00:09:21,018
TURN AND
SWITCH... OH!

251
00:09:21,102 --> 00:09:23,729
Sadie: [ Voice over ]
YEAH, THAT'S ME,
STILL NOT GETTING IT.

252
00:09:23,771 --> 00:09:26,232
IT'S PRETTY MUCH THE SAME
THING FOR THE NEXT HOUR.

253
00:09:26,315 --> 00:09:29,068
LET'S GO TO THE LOW-LIGHT
REEL, WHY DON'T WE?

254
00:09:29,151 --> 00:09:31,946
♪ GETTING TO KNOW
WHAT'S OUT THERE ♪

255
00:09:32,029 --> 00:09:34,740
♪ RACING MYSELF ON
A DARE, NO DOUBTS ♪

256
00:09:34,824 --> 00:09:35,950
♪ AND IF I SUDDENLY CRASH ♪

257
00:09:36,033 --> 00:09:37,743
♪ I'LL JUST LOOK
BACK AND LAUGH ♪

258
00:09:37,785 --> 00:09:39,078
♪ IT MIGHT ALL MAKE SENSE ♪

259
00:09:39,161 --> 00:09:40,705
♪ IN SOME DAY
AND A HALF ♪

260
00:09:40,788 --> 00:09:41,998
DRY YOURSELF OFF.

261
00:09:42,081 --> 00:09:43,916
♪ HERE I GO AGAIN ♪

262
00:09:43,958 --> 00:09:46,294
♪ BELIEVIN'
REAL THINGS HAPPEN ♪

263
00:09:47,920 --> 00:09:49,922
♪ SKATING ON A DREAM ♪

264
00:09:49,964 --> 00:09:52,842
♪ SLAMMING INTO DESTINY ♪

265
00:09:54,218 --> 00:09:55,886
♪ JUST WHEN YOU THINK ♪

266
00:09:55,970 --> 00:09:58,848
♪ I WON'T MAKE IT
PAST PRETEND ♪

267
00:09:58,931 --> 00:10:00,725
♪ DON'T QUESTION IT ♪

268
00:10:00,808 --> 00:10:01,976
♪ HERE I GO AGAIN ♪

269
00:10:02,059 --> 00:10:03,769
Sadie:
HEY.
Owen:
HEY.

270
00:10:03,853 --> 00:10:06,355
♪ IT'S MY MOMENT,
EVERY MOMENT ♪

271
00:10:06,439 --> 00:10:09,191
♪ YOU CAN ALWAYS
COUNT ME IN ♪

272
00:10:09,275 --> 00:10:12,111
♪ MY FOREVER
IS RIGHT NOW ♪

273
00:10:12,194 --> 00:10:16,407
♪ AND I'M NOT EVER
GIVING IN ♪

274
00:10:16,490 --> 00:10:19,118
♪ OH ♪
♪ JUST WHEN YOU THINK ♪

275
00:10:19,160 --> 00:10:21,787
♪ YOU THINK ♪
♪ I WON'T MAKE
IT PAST PRETEND ♪

276
00:10:21,871 --> 00:10:23,331
♪ OH, OH ♪
♪ DON'T QUESTION IT ♪

277
00:10:23,414 --> 00:10:26,083
♪ HERE I GO AGAIN ♪
♪ AGAIN ♪

278
00:10:26,167 --> 00:10:27,293
OH...

279
00:10:27,335 --> 00:10:29,295
Margaret:
GOOD ONE, SADE.

280
00:10:29,337 --> 00:10:32,048
AT LEAST THIS
TIME, YOU DIDN'T
FALL QUITE AS HARD.

281
00:10:32,131 --> 00:10:34,008
Sadie: [ Voice over ]
AS DAY ONE
CAME TO AN END,

282
00:10:34,091 --> 00:10:36,218
THINGS SEEMED
HIP-HOPELESS.

283
00:10:36,302 --> 00:10:37,928
MAYBE WE SHOULD
CALL IT A DAY.

284
00:10:38,012 --> 00:10:39,138
YEAH...

285
00:10:39,221 --> 00:10:41,766
I'LL JUST LIE DOWN
HERE ON THE FLOOR

286
00:10:41,849 --> 00:10:43,017
FOR ANOTHER
WEEK OR SO.

287
00:10:43,100 --> 00:10:44,310
[ Chuckles ]

288
00:10:44,352 --> 00:10:46,354
COOL. SEE
YOU, SADE.

289
00:10:46,437 --> 00:10:48,105
DON'T FORGET
TO PRACTICE THOSE
DANCE STEPS TONIGHT.

290
00:10:48,189 --> 00:10:49,148
GREAT.

291
00:10:49,231 --> 00:10:51,192
PAIN AND
HUMILIATION.

292
00:10:51,275 --> 00:10:53,444
THE HOME VERSION.
[ Panting ]

293
00:10:53,527 --> 00:10:55,154
Sadie: [ Voice over ]
SO, THAT WAS A DISASTER.

294
00:10:55,196 --> 00:10:57,073
IF I WASN'T
PANTING SO HARD,

295
00:10:57,156 --> 00:10:59,992
I SWEAR I COULD HAVE
HEARD ARDEN BEING SMUG.

296
00:11:00,076 --> 00:11:01,827
Arden:
ALL RIGHT,
I'LL ADMIT IT:

297
00:11:01,869 --> 00:11:03,829
I'M WORRIED
ABOUT HAWTHORNE.

298
00:11:03,913 --> 00:11:05,164
NOT BECAUSE SHE'S
A BETTER DANCER

299
00:11:05,206 --> 00:11:06,999
BUT BECAUSE SHE
HAS A COACH?

300
00:11:07,083 --> 00:11:08,709
THAT IS SO NOT FAIR.

301
00:11:11,087 --> 00:11:13,214
[ Indistinct
conversation ]

302
00:11:13,297 --> 00:11:15,007
HEY, GIVE ME THOSE
HEAD-PHONEY THINGS.

303
00:11:15,091 --> 00:11:16,342
I WANT TO HEAR WHAT
THEY'RE SAYING.

304
00:11:16,425 --> 00:11:17,843
Owen: [ On headphones ]
HEY, MARGARET, DO...

305
00:11:17,885 --> 00:11:19,303
DO YOU THINK SADIE'S
GOING TO MAKE THE TEAM?

306
00:11:19,387 --> 00:11:21,847
[ On headphones ]
I KNOW SADIE, AND
WHEN SHE PUTS HER
MIND TO SOMETHING

307
00:11:21,889 --> 00:11:23,265
THERE'S NO
STOPPING THE GIRL.

308
00:11:23,349 --> 00:11:25,184
COOL.

309
00:11:25,267 --> 00:11:26,769
SO, UH...

310
00:11:28,145 --> 00:11:30,147
DO YOU WANT
TO GO TO THE WOW
WITH ME LATER?

311
00:11:30,231 --> 00:11:31,899
YEAH...

312
00:11:31,982 --> 00:11:33,025
I'D LIKE THAT.

313
00:11:33,109 --> 00:11:35,277
ADVANTAGE ALCOTT.

314
00:11:39,407 --> 00:11:41,033
Sadie: [ Voice over ]
I'D LIKE TO SAY
THIS SHOT OF ME

315
00:11:41,117 --> 00:11:43,202
WAS ONLY TWO
MINUTES LATER.

316
00:11:43,285 --> 00:11:45,538
SADLY, I HAD BEEN
LYING ON MY BACK
LIKE A TURTLE

317
00:11:45,579 --> 00:11:46,789
FOR ABOUT AN HOUR.

318
00:11:47,832 --> 00:11:50,710
A LITTLE HELP? UGH.

319
00:11:52,294 --> 00:11:54,213
Ben:
IS THAT THE
BEST YOU GOT?

320
00:11:54,296 --> 00:11:56,173
OWEN MUST NOT BE
A REAL MOTIVATOR.

321
00:11:56,257 --> 00:11:58,175
VERY FUNNY, BEN.

322
00:11:58,259 --> 00:12:00,928
WAIT. HOW DID YOU
KNOW OWEN'S MY COACH?

323
00:12:01,011 --> 00:12:01,887
HAL.

324
00:12:01,971 --> 00:12:04,056
PART OF HIS
PUBLIC SERVICE TO
SPREAD BAD NEWS.

325
00:12:04,140 --> 00:12:06,142
AH! SO YOU'RE HERE

326
00:12:06,225 --> 00:12:07,268
BECAUSE YOU ALREADY
HEARD OWEN'S MY COACH

327
00:12:07,351 --> 00:12:08,894
AND NOW YOU'RE JEALOUS?

328
00:12:08,978 --> 00:12:11,021
UH, NO. BUT
INTERESTING
YOU'D GO THERE.

329
00:12:11,105 --> 00:12:13,274
I'M HERE TO SEE IF
I CAN TALK YOU OUT
THIS SILLY STUNT.

330
00:12:13,357 --> 00:12:14,275
[ Sigh ]
WELL,

331
00:12:14,358 --> 00:12:16,152
MR. NO-FUN...

332
00:12:17,361 --> 00:12:20,072
THIS STUNT ISN'T
SILLY, AND...

333
00:12:20,114 --> 00:12:21,157
I'M NOT QUITTING.

334
00:12:21,240 --> 00:12:23,159
IN FACT, I'LL BE
BACK TOMORROW,

335
00:12:23,242 --> 00:12:25,745
EVEN BIGGER AND BETTER
THAN I WAS BEFORE.

336
00:12:26,996 --> 00:12:28,789
NOW, CAN YOU HELP
ME OUT OF THE GYM?

337
00:12:28,873 --> 00:12:30,249
I CAN'T FEEL
MY LEGS.

338
00:12:30,332 --> 00:12:31,333
COME ON.

339
00:12:33,043 --> 00:12:34,086
OW.

340
00:12:34,128 --> 00:12:35,254
Sadie: [ Voice over ]
THAT NIGHT,

341
00:12:35,296 --> 00:12:36,255
I MANAGED TO
STUMBLE HOME

342
00:12:36,338 --> 00:12:38,257
AND INTO THE TENDER LOVING
ARMS OF MY MOM AND DAD.

343
00:12:38,340 --> 00:12:39,341
DON'T WORRY,
SWEETIE.

344
00:12:39,425 --> 00:12:41,302
I BET TOMORROW
YOU'LL CATCH ON

345
00:12:41,385 --> 00:12:43,387
AND BE EVEN
BETTER THAN THAT
VANILLA ICE.

346
00:12:43,471 --> 00:12:45,306
WHO?

347
00:12:45,389 --> 00:12:47,016
Sadie: [ Voice over ]
THE GREAT THING ABOUT
GROWING UP A HAWTHORNE

348
00:12:47,099 --> 00:12:49,143
IS YOU COULD ALWAYS COUNT ON
YOUR FAMILY TO SUPPORT YOU.

349
00:12:49,226 --> 00:12:50,561
Hal:
HEY, MOM, DAD,

350
00:12:50,644 --> 00:12:52,438
THIS IS MY IMPRESSION
OF SADIE DANCING.

351
00:12:52,521 --> 00:12:54,857
WHU', YEAH, UH, WHOA!

352
00:12:56,275 --> 00:12:57,568
WHOA!
[ Clatter ]

353
00:12:57,651 --> 00:12:59,320
HAL!

354
00:12:59,403 --> 00:13:01,864
Sadie: [ Voice over ]
JUST KEEP THINKING:
"POINT-FIVE".

355
00:13:01,947 --> 00:13:03,783
SADIE, YOUR
MOTHER AND I

356
00:13:03,866 --> 00:13:05,993
THINK WE FOUND
THE PERFECT THING
TO INSPIRE YOU.

357
00:13:08,287 --> 00:13:10,247
[ Disco ♪♪♪ ]

358
00:13:13,501 --> 00:13:19,465
[ ♪♪♪ ]

359
00:13:19,548 --> 00:13:21,467
Sadie: [ Voice over ]
THE ONLY THING THAT INSPIRED

360
00:13:21,509 --> 00:13:23,260
WAS TO NEVER TO BUILD
A TIME MACHINE

361
00:13:23,344 --> 00:13:24,887
THAT SENT ME BACK TO 1979.

362
00:13:27,223 --> 00:13:28,224
THERE'S SOMETHING ELSE

363
00:13:28,307 --> 00:13:29,517
YOU MIGHT WANT
TO KNOW ABOUT ME.

364
00:13:29,600 --> 00:13:31,977
IF I HAVE HOMEWORK,
I ALWAYS DO IT.

365
00:13:32,019 --> 00:13:34,188
EVEN IF IT CAUSES
ME SEVERE AGONY.

366
00:13:34,271 --> 00:13:36,232
HEY, SADIE, I HAVE
YOUR HIP-HOP NAME:

367
00:13:36,315 --> 00:13:38,192
M.C. ICE PACK.
[ Cackling ]

368
00:13:38,275 --> 00:13:39,568
HAL, GET OUT OF HERE.

369
00:13:40,611 --> 00:13:42,196
ALL RIGHT, RELAX...

370
00:13:42,279 --> 00:13:43,531
M.C. ICE PACK.

371
00:13:43,614 --> 00:13:45,282
PEACE, YO.

372
00:13:45,366 --> 00:13:46,325
[ Sigh ]

373
00:13:47,451 --> 00:13:49,328
[ Knocking on door ]
HAL, I SAID...

374
00:13:49,370 --> 00:13:50,621
HEY, HAWTHORNE...

375
00:13:50,704 --> 00:13:52,373
LOOKING GOOD.

376
00:13:52,456 --> 00:13:54,375
ARDEN, WHAT ARE
YOU DOING HERE?

377
00:13:54,458 --> 00:13:56,544
I JUST THOUGHT MAYBE
WE COULD PRACTISE.

378
00:13:56,627 --> 00:13:58,212
I KNOW WE'RE COMPETING,

379
00:13:58,295 --> 00:14:00,005
BUT THAT DOESN'T
MEAN WE CAN'T STILL
HELP EACH OTHER.

380
00:14:00,047 --> 00:14:01,215
SERIOUSLY, WHAT
ARE YOU DOING HERE?

381
00:14:01,298 --> 00:14:04,051
FINE. I CAME
FOR THE CAMERAS.

382
00:14:04,134 --> 00:14:06,178
DO YOU KNOW HOW MANY
PEOPLE GET CAREERS

383
00:14:06,220 --> 00:14:07,304
FROM BEING ON
REALITY TV?

384
00:14:07,388 --> 00:14:08,556
AND LET'S FACE IT,
HAWTHORNE,

385
00:14:08,639 --> 00:14:10,933
YOU'RE NOT EXACTLY
HOLLYWOOD MATERIAL.

386
00:14:11,016 --> 00:14:12,184
THANKS A LOT, ARDEN.

387
00:14:12,268 --> 00:14:13,227
I'M SORRY.

388
00:14:13,310 --> 00:14:14,144
THAT WAS MEAN.

389
00:14:14,228 --> 00:14:17,106
WHAT DO YOU SAY WE GO
TO THE WOW? MY TREAT?

390
00:14:17,189 --> 00:14:19,066
Sadie: [ Voice over ]
LOOK, I KNEW I
SHOULD HAVE FIGURED

391
00:14:19,149 --> 00:14:20,359
ARDEN WAS UP TO NO GOOD,

392
00:14:20,401 --> 00:14:21,569
BUT IF I DIDN'T
GO WITH HER,

393
00:14:21,652 --> 00:14:23,362
I'D LOOK LIKE I
WAS THE MEAN ONE.

394
00:14:23,445 --> 00:14:24,530
SO, I WENT.

395
00:14:24,613 --> 00:14:25,698
FINE.

396
00:14:25,739 --> 00:14:26,657
Sadie: [ Voice over ]
BIG MISTAKE.

397
00:14:26,740 --> 00:14:28,158
LET'S GO, THEN.

398
00:14:28,242 --> 00:14:31,036
[ ♪♪♪ ]

399
00:14:31,078 --> 00:14:32,997
Sadie: [ Voice over ]
THE WOW IS OUR
LOCAL HANGOUT.

400
00:14:33,080 --> 00:14:34,373
IN CASE HE HASN'T
MENTIONED IT,

401
00:14:34,456 --> 00:14:36,208
IT'S OWNED BY
RAIN'S PARENTS.

402
00:14:36,250 --> 00:14:39,044
HELLO, MISS, WELCOME
TO THE ACROPOLIS WOW,

403
00:14:39,086 --> 00:14:41,505
ESTABLISHED IN 1983 AND
HOME OF THE WOW BURGER.

404
00:14:41,589 --> 00:14:43,048
EH...

405
00:14:43,132 --> 00:14:44,216
Sadie: [ Voice over ]
AFTER A LONG DAY,

406
00:14:44,300 --> 00:14:45,342
I KNEW THERE WAS
ONLY ONE PERSON

407
00:14:45,426 --> 00:14:47,219
I COULD TALK TO,
TO MAKE IT BETTER:

408
00:14:47,303 --> 00:14:48,262
MARGARET.

409
00:14:50,180 --> 00:14:53,434
UNFORTUNATELY, MARGARET
WAS ALREADY MAKING MY
FIRST CRUSH FEEL BETTER.

410
00:14:54,476 --> 00:14:56,353
Margaret:
SADIE, WAIT.

411
00:14:56,437 --> 00:14:57,479
SADIE!

412
00:15:00,566 --> 00:15:02,067
[ Ringing of cellphone ]

413
00:15:03,736 --> 00:15:05,362
MARGARET.

414
00:15:05,446 --> 00:15:06,989
WHAT'S THAT, HER 50th CALL?

415
00:15:08,449 --> 00:15:10,075
Sadie: [ Voice over ]
OKAY, LOOK, I
DON'T WANT YOU

416
00:15:10,117 --> 00:15:11,535
TO GET A BAD
IMPRESSION OF MARGARET.

417
00:15:11,619 --> 00:15:13,412
SHE DOESN'T USUALLY
DO THIS KIND OF THING.

418
00:15:13,495 --> 00:15:15,164
IN FACT, SHE
EVEN HAD RULES.

419
00:15:15,247 --> 00:15:16,332
A WHOLE BOOK OF THEM.

420
00:15:18,334 --> 00:15:19,209
THE "NOT-COOL" RULE:

421
00:15:19,293 --> 00:15:21,420
"NO GIRL SHALL EVER
DATE HER FRIEND'S CRUSH

422
00:15:21,462 --> 00:15:22,963
EVEN IF
THE CRUSH IS OVER

423
00:15:23,047 --> 00:15:24,423
AND SHE HAS HER
FRIEND'S PERMISSION."

424
00:15:24,506 --> 00:15:26,508
Jean:
SADIE! COME
DOWNSTAIRS.

425
00:15:26,592 --> 00:15:28,260
WE HAVE
A SURPRISE
FOR YOU.

426
00:15:28,344 --> 00:15:30,638
YIPPEE.
ANOTHER SURPRISE.

427
00:15:30,721 --> 00:15:32,139
Sadie: [ Voice over ]
AT THIS POINT,

428
00:15:32,222 --> 00:15:33,682
I WAS HOPING MY
PARENTS' SURPRISE

429
00:15:33,766 --> 00:15:35,517
WOULD BE THAT "CHANGED"
HAD BEEN CANCELLED

430
00:15:35,601 --> 00:15:39,021
AND I WOULD NEVER
HAVE TO HEAR THE WORDS
"HIP-HOP" AGAIN.

431
00:15:39,104 --> 00:15:40,522
WHAT'S GOING ON?

432
00:15:40,606 --> 00:15:42,566
PLEASE TELL ME YOU'RE NOT
GOING TO DANCE AGAIN.

433
00:15:42,650 --> 00:15:44,610
TAH-DAH!

434
00:15:44,693 --> 00:15:46,403
Jean:
WE GOT YOU HIP-HOP
CLOTHES FOR
THE AUDITION!

435
00:15:48,322 --> 00:15:50,449
I DON'T BELIEVE YOU GUYS.

436
00:15:50,532 --> 00:15:52,743
WHOA! THAT CUZ
NEED TO CHILLAX.

437
00:15:52,826 --> 00:15:53,994
WORD.

438
00:15:54,078 --> 00:15:56,038
ON THE FOR-REAL-A.
YO.

439
00:15:56,121 --> 00:15:57,456
♪ TURN IT UP! ♪

440
00:15:57,539 --> 00:15:59,750
Sadie: [ Voice over ]
BENNETT IS A
SMALL SCHOOL.

441
00:15:59,833 --> 00:16:02,211
AND EVENTUALLY,
YOU'RE GOING TO
RUN INTO EVERYBODY

442
00:16:02,294 --> 00:16:03,504
SOONER OR LATER.

443
00:16:04,672 --> 00:16:06,590
SADIE, WOULD YOU
PLEASE LISTEN TO ME?

444
00:16:06,674 --> 00:16:08,008
I CAN EXPLAIN.

445
00:16:08,092 --> 00:16:09,051
EXPLAIN WHAT?

446
00:16:09,134 --> 00:16:10,594
HOW YOU AND MY
FIRST CRUSH WERE
FLIRTING AT THE WOW?

447
00:16:10,678 --> 00:16:13,222
NOW AVAILABLE
FOR CATERING AND
PRIVATE PARTIES.

448
00:16:13,305 --> 00:16:14,264
RAIN!
RAIN!

449
00:16:16,809 --> 00:16:17,768
HEY, SADIE.

450
00:16:17,851 --> 00:16:19,561
[ Sigh ]

451
00:16:20,020 --> 00:16:22,481
I DIDN'T MEAN FOR IT
TO HAPPEN, I SWEAR.

452
00:16:22,564 --> 00:16:23,565
WHATEVER.

453
00:16:23,649 --> 00:16:25,192
I MEAN, IT'S NOT
LIKE I HAVE ANY
RIGHT TO COMPLAIN.

454
00:16:25,275 --> 00:16:27,653
WE WERE NEVER
BOYFRIEND-
GIRLFRIEND...

455
00:16:27,736 --> 00:16:29,154
IN THEORY.

456
00:16:29,196 --> 00:16:32,491
IF YOU WANT TO SPEND TIME
TOGETHER, THAT'S COOL.

457
00:16:32,574 --> 00:16:34,284
SPEND ALL THE
TIME YOU WANT.

458
00:16:34,368 --> 00:16:36,161
I'M NO LONGER TRYING OUT
FOR THE HIP-HOP TEAM.

459
00:16:36,245 --> 00:16:39,415
[ ♪♪♪ ]

460
00:16:39,498 --> 00:16:40,666
Margaret:
DO I FEEL GUILTY?

461
00:16:40,708 --> 00:16:42,084
OF COURSE.

462
00:16:42,167 --> 00:16:43,752
THIS SO GOES AGAINST
THE "NOT-COOL" RULE.

463
00:16:43,836 --> 00:16:47,131
BUT THE THING IS, MY RULE
BOOK IS ALWAYS IN FLUX.

464
00:16:48,799 --> 00:16:50,634
I LIKE OWEN.

465
00:16:50,718 --> 00:16:52,678
I GUESS I NEVER
REALLY TRIED GETTING
TO KNOW HIM BETTER

466
00:16:52,720 --> 00:16:54,346
BECAUSE OF SADIE.

467
00:16:54,430 --> 00:16:57,057
BESIDES, IT'S NOT
LIKE SADIE EVER
ACTUALLY DATED HIM.

468
00:16:57,141 --> 00:16:58,517
DO I FEEL GUILTY?

469
00:16:58,559 --> 00:17:00,352
SURE.

470
00:17:00,394 --> 00:17:02,354
I MEAN, I DIDN'T
PLAN THIS THING
WITH MARGARET.

471
00:17:02,438 --> 00:17:04,732
BUT BESIDES, IT'S
NOT LIKE SADIE AND I
EVER ACTUALLY DATED.

472
00:17:04,815 --> 00:17:06,358
DO I FEEL GUILTY?

473
00:17:06,442 --> 00:17:08,610
NO WAY. JUST
CALL IT PAYBACK.

474
00:17:08,694 --> 00:17:10,821
THE WHOLE SCHOOL KNEW
BENJAMIN WAS CRUSHING ON ME

475
00:17:10,904 --> 00:17:12,239
BEFORE HAWTHORNE SHOWED UP

476
00:17:12,322 --> 00:17:14,783
AND PLAYED THE
"I'M SO NAIVE" CARD.

477
00:17:14,867 --> 00:17:17,077
THAT GIRL IS A SHARK.

478
00:17:17,161 --> 00:17:19,204
BESIDES, IT'S NOT
LIKE HER AND OWEN
EVER ACTUALLY DATED.

479
00:17:19,246 --> 00:17:20,205
[ Slurping ]

480
00:17:20,247 --> 00:17:22,833
YOU REALLY NEED
TO STOP SNEAKING
REFILLS, RAIN.

481
00:17:22,916 --> 00:17:24,668
I-I CAN'T
HELP MYSELF.

482
00:17:24,752 --> 00:17:26,128
I NEED THE ADRENALINE
RUSH, SADIE.

483
00:17:26,211 --> 00:17:27,129
I NEED THE RUSH.

484
00:17:29,173 --> 00:17:30,174
LOOK, I KNOW
THIS HURTS

485
00:17:30,257 --> 00:17:31,383
BUT LOOK AT IT
THIS WAY.

486
00:17:31,425 --> 00:17:33,469
YOU'RE THE TOMATO
ON THE WOW BURGER,

487
00:17:33,552 --> 00:17:34,803
OWEN'S THE KETCHUP.

488
00:17:34,887 --> 00:17:37,181
AND ALTHOUGH BOTH
INDIVIDUALLY ARE GREAT,

489
00:17:37,264 --> 00:17:39,141
WE DON'T REALLY NEED
TOMATOES AND KETCHUP

490
00:17:39,224 --> 00:17:40,184
ON THE SAME BURGER.

491
00:17:40,267 --> 00:17:40,851
WHERE IS THIS
GOING, RAIN?

492
00:17:40,934 --> 00:17:42,394
MARGARET IS
THE PICKLE.

493
00:17:42,436 --> 00:17:43,771
NOW, YOU REPLACE THE
TOMATO WITH THE PICKLE

494
00:17:43,854 --> 00:17:45,064
AND...
[ Snapping of fingers ]

495
00:17:45,147 --> 00:17:46,648
BAM. YOU HAVE THE
PERFECT HAMBURGER.

496
00:17:46,732 --> 00:17:49,109
7.99 WITH FRIES
AND A DRINK.
[ Click of tongue ]

497
00:17:52,237 --> 00:17:53,405
I JUST WANT TO KNOW.

498
00:17:53,447 --> 00:17:55,491
IS WHAT MARGARET DID
REALLY THAT BAD?

499
00:17:55,574 --> 00:17:57,576
SURE, MARGARET AND I
HAVE HAD OUR DIFFERENCES

500
00:17:57,659 --> 00:17:59,161
BUT WE'D ALWAYS
GOTTEN THROUGH THEM.

501
00:17:59,244 --> 00:18:01,371
BUT THAT TIME,
IT WAS DIFFERENT.

502
00:18:01,455 --> 00:18:03,332
I MEAN, THE ONLY REASON
I'D JOIN THE HIP-HOP TEAM

503
00:18:03,415 --> 00:18:05,334
WAS SO THAT WE COULD
BELONG TO THE SAME CLUB.

504
00:18:05,417 --> 00:18:07,419
WHAT A GOOD IDEA THAT WAS.

505
00:18:07,503 --> 00:18:08,754
YEAH, RAIN.

506
00:18:08,796 --> 00:18:09,755
IT REALLY IS THAT BAD.

507
00:18:09,838 --> 00:18:12,758
I WOULD NEVER, EVER
DATE MARGARET'S
FIRST CRUSH.

508
00:18:12,841 --> 00:18:15,219
THAT'S BECAUSE
MICHAEL BUBLE IS A
LITTLE OLD FOR YOU.

509
00:18:17,262 --> 00:18:18,555
UGH!

510
00:18:18,639 --> 00:18:20,808
SADIE, IF YOU QUIT, WHAT
ARE THEY GOING TO FILM

511
00:18:20,891 --> 00:18:22,434
FOR THE REST OF THE...

512
00:18:22,518 --> 00:18:23,811
WEEK...

513
00:18:23,894 --> 00:18:26,146
[ ♪♪♪ ]

514
00:18:26,230 --> 00:18:28,148
"Changed" Narrator: RAINBOW PAPADAKIS
IS KNOWN AS THE KID

515
00:18:28,232 --> 00:18:30,442
WHOSE PARENTS
NAMED HIM "RAINBOW".

516
00:18:30,526 --> 00:18:32,611
HE LIKES HANGING
WITH HIS FRIENDS,

517
00:18:32,694 --> 00:18:34,404
WORKING AT HIS
FAMILY RESTAURANT

518
00:18:34,488 --> 00:18:35,823
AND READING TO HIS YAYA.

519
00:18:35,906 --> 00:18:37,449
BUT NOW RAIN WANTS
TO BE CHANGED

520
00:18:37,533 --> 00:18:39,618
FROM RESTAURANT WORKER...

521
00:18:39,660 --> 00:18:41,203
TO A ROCK STAR!

522
00:18:43,247 --> 00:18:44,706
Sadie: [ Voice over ]
ALL RIGHT, THAT'S ENOUGH!

523
00:18:44,790 --> 00:18:46,542
STOP.
[ Squealing of tires/
crashing of car ]

524
00:18:49,294 --> 00:18:50,879
OKAY, MAYBE ME BROODING

525
00:18:50,963 --> 00:18:52,589
ISN'T THE GREATEST
TELEVISION

526
00:18:52,673 --> 00:18:55,384
BUT, TRUST ME,
IT'S A LOT BETTER
THAN RAIN IN SPANDEX.

527
00:18:56,343 --> 00:18:58,846
SINCE YOU LAST LEFT ME,
TWO DAYS HAVE PASSED

528
00:18:58,929 --> 00:19:00,848
AND IT LOOKED LIKE
I HAD BLOWN ANY CHANCE

529
00:19:00,931 --> 00:19:02,391
OF REACHING MY GOAL,

530
00:19:02,474 --> 00:19:04,309
OR BEING FRIENDS
WITH MARGARET AGAIN.

531
00:19:04,393 --> 00:19:05,561
[ Rapping on glass ]

532
00:19:07,312 --> 00:19:08,772
OH, IT'S YOU.

533
00:19:08,856 --> 00:19:10,148
WHY ARE YOU EVEN HERE?

534
00:19:10,190 --> 00:19:12,568
TO CONGRATULATE ME
FOR QUITTING SOMETHING
AS LAME AS HIP-HOP?

535
00:19:12,651 --> 00:19:14,236
NO.

536
00:19:14,319 --> 00:19:17,823
I'M HERE BECAUSE
I UNDERSTAND
WHY YOU QUIT.

537
00:19:17,865 --> 00:19:19,616
WHY YOU'RE MAD
AT MARGARET.

538
00:19:19,700 --> 00:19:20,868
YOU DO?
YEAH.

539
00:19:20,951 --> 00:19:22,369
WHEN I FOUND OUT
OWEN WAS YOUR COACH,

540
00:19:22,452 --> 00:19:24,163
I FLIPPED TOO.

541
00:19:24,246 --> 00:19:25,581
I MEAN, WE'RE NOT
BOYFRIEND-GIRLFRIEND
OR ANYTHING

542
00:19:25,664 --> 00:19:26,957
BUT I STILL GOT JEALOUS.

543
00:19:27,040 --> 00:19:27,916
YOU DID?

544
00:19:28,000 --> 00:19:29,334
I MEAN, YOU DID?

545
00:19:29,376 --> 00:19:30,752
YEAH.

546
00:19:30,836 --> 00:19:31,753
WELL...

547
00:19:32,963 --> 00:19:34,840
WHY DIDN'T YOU
SAY ANYTHING?

548
00:19:34,923 --> 00:19:36,592
BECAUSE SOMETIMES
YOU HAVE TO PUT
YOUR FEELINGS ASIDE

549
00:19:36,675 --> 00:19:37,885
TO MAKE YOUR
FRIENDS HAPPY.

550
00:19:39,386 --> 00:19:42,222
YOU COULD HAVE
POINTED THAT OUT
EARLIER, GOOF.

551
00:19:42,306 --> 00:19:43,849
AND I JUST LOST
A HALF-WEEK
OF PRACTISE.

552
00:19:43,932 --> 00:19:45,517
I'M NEVER GOING TO
MAKE THE TEAM NOW.

553
00:19:45,601 --> 00:19:47,352
FOR THE RECORD, I
LEARNED TO DO THIS

554
00:19:47,394 --> 00:19:49,229
WHEN I WAS YOUNG
AND FOOLISH.

555
00:19:49,313 --> 00:19:50,189
WHAT ARE YOU
TALKING ABOUT?

556
00:19:54,067 --> 00:19:55,527
NO WAY.

557
00:19:55,569 --> 00:19:57,529
THAT'S RIGHT.
"BE-BOP" HARRISON

558
00:19:57,571 --> 00:19:59,364
CAN SHAKE IT
AND NOT BREAK IT.

559
00:19:59,406 --> 00:20:00,532
[ Chuckling ]

560
00:20:00,616 --> 00:20:02,034
BACK HOME I WAS PART
OF THE HIP-HOP TEAM.

561
00:20:02,075 --> 00:20:03,660
2-8-9 LIVES.

562
00:20:03,744 --> 00:20:06,330
I'M NOT PROUD OF IT,
BUT IT IS WHAT IT IS.

563
00:20:09,666 --> 00:20:10,959
WHAT ARE YOU
WAITING FOR?

564
00:20:11,043 --> 00:20:12,711
THE AUDITION'S IN
TWO HOURS. COME ON!

565
00:20:12,753 --> 00:20:14,296
OKAY.

566
00:20:14,379 --> 00:20:15,297
READY?

567
00:20:15,380 --> 00:20:16,340
ONE, AND...

568
00:20:16,423 --> 00:20:21,803
[ ♪♪♪ ]

569
00:20:21,887 --> 00:20:24,348
♪ YEAH, WE UP IN
THE CLUB LIKE... ♪

570
00:20:24,431 --> 00:20:26,683
♪ AND WE ALL DANCING
TO THE STROBE LIGHT ♪

571
00:20:26,767 --> 00:20:29,269
♪ AND THE DJ JAMMING,
GOT THE FLOW LIKE... ♪

572
00:20:29,353 --> 00:20:31,271
♪ HEAD, BODY,
BOUNCING AND STEPPING ♪

573
00:20:31,355 --> 00:20:32,314
♪ DRESSED TO IMPRESS
IT... ♪

574
00:20:32,397 --> 00:20:33,357
[ Click of button ]

575
00:20:35,943 --> 00:20:37,736
I JUST WANT
TO SAY TO YOU...

576
00:20:37,819 --> 00:20:40,030
AND TO THE AUDIENCE
OF "CHANGED", TUESDAYS
AT 9:00 O'CLOCK,

577
00:20:40,113 --> 00:20:42,407
THAT I'M SORRY.

578
00:20:43,492 --> 00:20:44,993
AND I WANT YOU
TO BE HAPPY.

579
00:20:45,077 --> 00:20:46,244
NO MATTER WHAT.

580
00:20:50,624 --> 00:20:52,292
I GUESS THAT ONLY
LEAVES ONE THING.

581
00:20:52,376 --> 00:20:53,752
WHAT?

582
00:20:53,835 --> 00:20:55,420
TO BUST IT OUT,
GIRLFRIEND.

583
00:20:55,462 --> 00:20:56,713
[ Chuckling ]

584
00:20:56,797 --> 00:20:57,881
♪ GET YOUR FEET
ON THE FLOOR ♪

585
00:20:57,965 --> 00:20:58,882
♪ GET YOUR BACK
OFF THE WALL ♪

586
00:20:58,966 --> 00:20:59,883
♪ AND LET'S GO ♪

587
00:20:59,967 --> 00:21:01,843
♪ O-O-OH ♪

588
00:21:08,517 --> 00:21:10,686
♪ IN THE CLUB, WE... ♪
♪ BOUNCE, BOUNCE ♪

589
00:21:10,769 --> 00:21:13,105
♪ IN THE CLUB, WE... ♪
♪ SHAKE THAT THING ♪

590
00:21:13,146 --> 00:21:15,607
♪ IN THE CLUB, WE... ♪
♪ BOUNCE, BOUNCE ♪

591
00:21:15,691 --> 00:21:17,943
♪ IN THE CLUB, WE... ♪
♪ GOTTA BOUNCE, YEAH ♪

592
00:21:17,985 --> 00:21:20,362
♪ IN THE CLUB, WE... ♪
♪ BOUNCE, BOUNCE ♪

593
00:21:20,445 --> 00:21:22,572
♪ COME ON AND BOUNCE
AND SHAKE ♪
♪ SHAKE THAT THING ♪

594
00:21:22,656 --> 00:21:24,783
♪ IN THE CLUB, WE... ♪
♪ BOUNCE, BOUNCE ♪

595
00:21:24,825 --> 00:21:27,077
♪ IN THE CLUB, WE... ♪
♪ BOUNCE, BOUNCE, BOUNCE ♪

596
00:21:27,160 --> 00:21:29,663
♪ WE BE UP IN THE CLUB... ♪
♪ SHAKE THAT THING ♪

597
00:21:29,746 --> 00:21:32,374
Sadie: [ Voice over ]
AS IT TURNS OUT,

598
00:21:32,457 --> 00:21:33,458
I NEVER MADE THE TEAM.

599
00:21:33,542 --> 00:21:34,626
OH, YES!

600
00:21:34,668 --> 00:21:36,128
Sadie: [ Voice over ]
ARDEN DID.

601
00:21:36,169 --> 00:21:38,422
BUT WHAT DID CHANGE
WAS MY FRIENDSHIP
WITH MARGARET.

602
00:21:41,425 --> 00:21:44,428
IT, SOMEHOW, GOT
EVEN STRONGER.

603
00:21:44,511 --> 00:21:46,972
♪ BOUNCE, BOUNCE ♪
♪ IN THE CLUB, WE... ♪

604
00:21:47,055 --> 00:21:48,974
♪ SHAKE THAT THING ♪
♪ IN THE CLUB, WE... ♪

605
00:21:49,057 --> 00:21:51,393
♪ BOUNCE, BOUNCE ♪
♪ IN THE CLUB, WE... ♪

606
00:21:51,476 --> 00:21:53,061
♪ GOTTA BOUNCE, YEAH ♪
♪ IN THE CLUB ♪

607
00:21:53,145 --> 00:21:54,896
[ ♪♪♪ ]

608
00:21:54,980 --> 00:21:57,107
MY HOBBIES
WOULD PROBABLY
INCLUDE SHOPPING.

609
00:21:57,190 --> 00:21:58,734
LOOKING GOOD.

610
00:21:58,817 --> 00:22:01,028
SHOPPING? I...
I ALREADY
SAID THAT.

611
00:22:01,111 --> 00:22:03,321
[ Giggling ]

612
00:22:03,405 --> 00:22:04,406
[ Thump ]

613
00:22:05,407 --> 00:22:06,575
Jean:
SHE'S COORDINATED.

614
00:22:06,658 --> 00:22:08,076
A LITTLE...
BIT, RIGHT?

615
00:22:08,160 --> 00:22:09,536
YEAH.
YEAH.
YEAH.

616
00:22:10,662 --> 00:22:11,663
[ Buzzing
of fly ]

617
00:22:11,705 --> 00:22:13,874
[ ♪♪♪ ]

618
00:22:13,957 --> 00:22:14,916
AH!

619
00:22:15,000 --> 00:22:16,752
I'M JUST...
SO COOL

620
00:22:16,835 --> 00:22:18,837
THAT, UH, ALL
THE GIRLS KIND
OF FLOCK TO ME.

621
00:22:18,879 --> 00:22:20,714
IT'S... IT'S
A CURSE, REALLY.

622
00:22:20,797 --> 00:22:22,340
AND IT'S...
HOW'S IT
GOING?

623
00:22:22,424 --> 00:22:23,508
SEE YA.

624
00:22:23,592 --> 00:22:25,552
Woman:
WHAT ABOUT YOUR
RELATIONSHIP
WITH SADIE?

625
00:22:25,635 --> 00:22:27,429
I DON'T REALLY
THINK THAT'S
ANY OF YOUR
BUSINESS.

626
00:22:29,097 --> 00:22:30,432
[ Smack
of kiss ]